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1 - 2 of 2 results for: SOC154

SOC 154: The Politics of Algorithms (COMM 154, COMM 254, CSRE 154T, SOC 254C)

(Graduate students enroll in 254. COMM 154 is offered for 5 units, COMM 254 is offered for 4 units.) Algorithms have become central actors in today's digital world. In areas as diverse as social media, journalism, education, healthcare, and policing, computing technologies increasingly mediate communication processes. This course will provide an introduction to the social and cultural forces shaping the construction, institutionalization, and uses of algorithms. In so doing, we will explore how algorithms relate to political issues of modernization, power, and inequality. Readings will range from social scientific analyses to media coverage of ongoing controversies relating to Big Data. Students will leave the course with a better appreciation of the broader challenges associated with researching, building, and using algorithms.
Terms: Spr | Units: 4-5 | UG Reqs: WAY-SI

SOC 154A: American Disaster (AMSTUD 154D, ENGLISH 154D)

How do we make sense of catastrophe? Who gets to write or make art about floods, fires, or environmental collapse? How do disaster and its depiction make visible or exacerbate existing social and economic inequalities? Beginning with the Jamestown colony and continuing to the present, this course explores the long history of disaster on the North American continent, and how it has been described by witnesses, writers, and artists. From the 1793 Philadelphia yellow fever epidemic to Hurricane Katrina, the Dust Bowl to contemporary explorations of climate change, this seminar will put in conversation a wide range of primary and secondary materials. Possible texts include writings by Mike Davis, Katherine Anne Porter, Rebecca Solnit, Jesmyn Ward, and Richard Wright; films Wildlife (2018), First Reformed (2017), When the Levees Broke (2006), and Free Willy II (1995); and art by Dorothea Lange, Winslow Homer, and Richard Misrach. For the final paper, students will write a critical essay on a disaster novel, film, or other work or object of their choice, or develop their own creative piece or oral history.
Last offered: Spring 2022 | UG Reqs: WAY-A-II
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